Skip to contentEvent of ArtAn enduring process of co-creation between a space and the bodies within it, which follows these steps:Zero: Has a SpaceInspirationIntentionAction(Artifact) (The medium which exists between)InterpretationRealizationInspiration(Outcome) Between two extremities: Dispell and Self-CastProblem SpaceHas these dimensions:X - Intrapersonal1st Order: Individual Problems and 3rd Order: Organizational ProblemsY - Interpersonal2nd Order: Occupational Problems and 4th Order: Systemic Problemsz - Transpersonal5th Order: Irresolvable Problems and 6th Order: The Perfect ProblemThe point of overlap for these dimensions (the point of the space) is aP - ProblemFree EnergyOrders of ProblemThere are essential problems: the existence of the body and its awareness of ignorance, which must be enduringly performed. In order to be alive. These are existential problems and resolve with death, and so seem irresolvable from the perspective of the body. Their presence is the frame for the problem space. These are unresolvable.A key distinction between these and irresolvable’s, is that the irresolvable’s we declare incapable of being resolved in finite steps, but then proceed to resolve them anyway. The unresolvable’s cannot even be accomplished with infinite steps, and so shouldn’t be treated as if they are an issue. They are merely the necessary aspects of the space. Any problem with them is not of them, but rather belongs to a higher order. They are treated as problems so that the space may be grounded, and then they are let go in the sixth via the perfect problem.There are “first order” problems: necessary processes which must be iteratively performed. These are individual problems. These resolve as they arise, through satisfaction in rhythmic intervals. These are object problems. In order to stay alive.There are “second order” problems: which are the contingent processes that result from the first order resolutions. These are occupational problems. These are subject problems. In order to live well.There are “third order” problems: the summing of problems into local sets, so they may be concurrently resolved. These are organizational problems. These are transjective problems. In order to live well with neighbors.There are “fourth order” problems: world problems, In order to live well over time. These are systemic problems. These are Hyper-subjective problems.There are “fifth order” problems: the irresolvable problems. These are problems of the space itself. Fifth order problems resemble essential problems in the consistency of their presence across all areas of the problem space, all the way up to the point of resolution that precedes transformation**.** These are Hyper-objective problems. In order to prioritize.There is a “sixth order” problem: the perfect problem, but it is the only problem which can occupy its class and has only one resolution. It is an irresolvable problem which consistently results in transformational creativity**.** These are Hypo-subjective problems. To be the problem is a necessary step in “being, the symbol”. “I am the problem, you are the resolution.” The resolution of this problem leads to transformation of the space. In order to be The ProblemConceptual SpaceHas these dimensions:X - BreadthExclusion and InclusionY - ScaleMicro and MacroZ - DepthSurface and LayersThe point of overlap for these dimensions (the point of the space) is aP - ArtifactAll spaces are conceptual spaces. Problem-space is the self conception of the past. Creative space is the self-conception of the future. Space is the self conception of our world. World is the self conception of our ignorance.Creative SpaceHas these three dimensionsX - CombinatorialSlots and SetsY - ExploratoryPaths and PlatformsZ - TransformationalStory and SchemaThe point of overlap for these dimensions (the point of the space) is aP - Creative ActTransformative SpaceHas these dimensions:X - Problem SpaceIrresolvable Problems (universal IP) and the Perfect ProblemY - Conceptual SpaceSurface and Layers “Has a meaningful impact at a surface level, each additional layer realized exposes a staggering significance.”Z - Creative SpaceStory and SchemaThe point of overlap for these dimensions (the point of the space) is aP - Hyper-Sigil
The Creative Eye/ “I”Is regarding the act through these lenses:FramingInclusivityCompositionContrastPhrasingPrecisionArticulationClarityThe Creative ActIs an intentional activity which accounts for these steps of its expression:InspirationSourceIntentionPurposeActivityOutcomeSurpriseThe interpretive ActIs an intentional activity which accounts for these steps of its expression:AwarenessRealizationIdentificationInspirationThe interpretive eye/”i”Is regarding the event through these lenses:InformationFidelityIntegrationModularityIntegrityResilienceInterpretationCoherenceThe ArtifactHas these modular qualities:Hyper-facts - quantitative aspects - physical elements and descriptorsHypo-facts - qualitative aspects - values, purposes, feelingsThe combination of these two form an Art-i-fact. An Art-i-fact is a Schema.Arche-facts - A story that expresses every fact of the artifact to some degree of detail, with an unknown outcome.The AvatarMonological Individuation (still occurs in a dialogical frame) and Dialogical Differentiation (still occurs in a monological frame)
Agent-Arena relationship
Want to print your doc?
This is not the way.
This is not the way.
Try clicking the ··· in the right corner or using a keyboard shortcut (
CtrlP
) instead.