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Club-face is a bit open Club-path must go across the ball from out-to-in.
Club-face is a bit closedClub-path must go across the ball from in-to-out.
Open or close the club-face a bit at address.Rotary Swing promotes owning your release. Intentionally release the club-face a bit closed, open or square.
Change the club-path in-swing. Meaning hit more in-to-out for draw and out-to-in for fade. (While I can do this. I can only achieve a huge draw or huge fade with it.)User your feet alignment to employ hitting across the ball as needed. For a fade, align feet just left of parallel. For a fade, align feet just right of parallel. This has the same effect as adjusting the club-path in-swing. Rotary Swing promotes owning your chest position at impact. To assist in an open or closed club face. Open the chest a bit before impact for the open club face. Keep it a bit closed at impact for a closed club face. Chest involvement can help you avoid the dreaded double cross.
Draw - over rotate club face - closed. Chest is a bit late - hold chest a bit back.Fade - hold off the release - open. Chest is a bit early - rotate chest a bit early.
I use at address. And release.I use chest position at impact.I use feet alignment.
Draw - Fade
Rob Cheney
Rotary Swing
I am satisfied that it is up to me to find what works. Feel free to experiment yourself.
To get the spin required, the club-face needs to open or close a bit at impact with a club path that goes across the ball.
Fade
Draw
Club-face
Club-path
“Double-cross” - The key is to avoid the double cross by hitting a fade when trying to draw it.
To avoid this, try the following:
What works for me:
Club-face
Club-path
For the huge draw or fade around a tree, I have to utilize every part of every method.
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