"Cheater's Guide to Love"

Short story by Junot Diaz (excerpt)

Observe Diaz’s Use Of:

Hook (Intro)

Detail

Paragraphing

Dialogue

Structure / Rhythm

Deliberately varied syntax

Diction

Tone

Repetition

Imagery

Allusion / Metaphor

Anaphora

Parallelism

Year 0

Your girl catches you cheating. (Well, actually she’s your fiancée, but hey, in a bit it so won’t matter.) She could have caught you with one sucia, she could have caught you with two, but because you’re a totally batshit cuero who never empties his e-mail trash can, she caught you with fifty! Sure, over a six-year period, but still. Fifty fucking girls? God damn! Maybe if you’d been engaged to a super-open-minded blanquita you could have survived it—but you’re not engaged to a super-open-minded blanquita. Your girl is a bad-ass salcedense who doesn’t believe in open anything; in fact, the one thing she warned you about, that she swore she would never forgive, was cheating. I’ll put a machete in you, she promised. And, of course, you swore you wouldn’t do it. You swore you wouldn’t. You swore you wouldn’t.

And you did.

She’ll stick around for a few months because you been together a long, long time. Because you’ve gone through so much together—her father’s death, your tenure madness, her bar exam (passed on the third attempt). And because love, real love, is not so easily shed. Over a tortured six-month period you fly together to the D.R., to Mexico (for the funeral of a friend), to New Zealand. You walk the beach where they filmed “The Piano,” something she’s always wanted to do, and now, in penitent desperation, you give it to her. She is immensely sad on that beach and she walks up and down the shining sand alone, her bare feet in the freezing water, and when you try to hug her she says, Don’t. She stares at the rocks jutting out of the water, the wind carrying her hair straight back. On the ride out to the hotel, up through those wild steeps, you pick up a pair of hitchhikers, a couple so giddy with love that you almost throw them out of the car. She says nothing. Later, in the hotel, she cries.

You try every trick in the book to keep her. You write her letters. You drive her to work. You quote Neruda. You compose a mass e-mail disowning all your sucias. You block their e-mails. You change your phone number. You stop drinking. You stop smoking. You claim you’re a sex addict and start attending meetings. You blame your father. You blame your mother. You blame the patriarchy. You blame Santo Domingo. You find a therapist. You cancel your Facebook. You give her the passwords to all your e-mail accounts. You start taking salsa classes, like you always swore you would, so that the two of you can dance together. You claim that you were sick, you claim that you were weak. And every hour, like clockwork, you say that you’re so so sorry. You try it all, but one day she simply sits up in bed and says, No more, and, Ya, and asks you to move from the Harlem apartment that you two share when you’re not teaching in Boston. You consider not going. You consider a squat protest. In fact, you say you won’t go. But, in the end, you do.

For a while you haunt the city, like a two-bit ballplayer dreaming of a call-up. You phone her every day and leave messages that she doesn’t answer. You write her long sensitive letters, which she returns unopened. You even show up at her apartment at odd hours, and at her job downtown, until finally her little sister calls you, the one who was always on your side, and she makes it plain: If you try to contact my sister again, she’s going to put a restraining order on you.

For some Negroes that wouldn’t mean shit.

But you ain’t that kind of Negro.

You stop. You move back to Boston. You never see her again.

Want to print your doc?
This is not the way.

Try clicking the ⋯ next to your doc name or using a keyboard shortcut (

CtrlP

) instead.