Home: Tellef Kvifte's blog

Blog posts

Click the name of the post to get an expanded view with the blog text and links to other relevant posts, articles, and releases.
Most of the posts are related to Norwegian folk and traditional music; not too much about musicians, but more of what I like to call the music theory of folk music: what kind(s) of rhythms are used; how to understand the intonation practices that sounds unfamiliar to an ear used to Western pop and classical music, how are tunes built in terms of motifs, parts, repeats etc. Central also the concepts of tradition and identity.
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Precision or expression?
Music theory for folk music - why?
Glissotar - a new instrument with new challenges and possibilities
Reel Date - and album with Irish and Norwegian traditions combined
Old recordings of Micho Russell - why publish?
What is the connection between Jan Garbarek and Ånon Egeland?
Tradition and copyright, part III
More on archives and recordings
Alvaleken: Writing music, and writing about music
Traditions, archives and change: blights and blessings
Tradition and Copyright, Part II
Is intonation (really) about intonation?
Why can't Norwegian folk musicians play/sing in tune?
The mysterious "old tonality" of Scandinavian (and other) traditional music
Welcome - new layout!
»Norwegian bagpipe» – «Tune from Agder» – «Setesdal tradition»: The archivist’s headache
Norwegian tunes on bagpipe – why bother? Part III
Norwegian tunes on bagpipe – why bother? Part II
Norwegian tunes on bagpipe – why bother?
What is the "right"way to hear the music? A note on sharing
“Inferential ambivalence” – difficult words, but simple problem
Farewell
Asymmetrical meters and precision in performance
Concert life and Covid 19
What is a “one” – …continued
Hardingfele, tuning, and Farvel, farvel
The Aesthetics of Distortion in Folk Music
Good dance rhythm — what is it?
Asymmetrical meters – how to think about them
What asymmetrical meters is NOT about
The mysterious "asymmetrical rhythms" in Scandinavian folk music
Playing «right» or having fun? What is (traditional) music about?
The fuzzy concept of «musical instrument»
Hardingfele form and performance variation: a blog post for nerds
Traditions and Copyright
Hardingfele music: A solo tradition difficult to adapt to ensemble playing
Why is Sigurd Fjeldstad important?
Egeland spiller Fjeldstad – and why I chose not to publish Fjeldstad’s own recordings
Camilla Hole, Halvemål, and the question of sax as folk music instrument
Folk Rock – or Rock Folk?
What is ‘folk music’?
Recording with Egeland, Edén and Marin
What is a «one»?
«Extended techniques»
A true Fiddler
Restarting the blog – July 2020
Lamslått – the recording
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