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03. The Witches

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Character Profile

Prepared by: learnloophq@gmail.com
Last edited 15 hours ago by Learn LoopHQ.

Chapter: 03. The Witches

Character Profiles: Traits and Relationships
The Narrator (The Boy)
Role in the Story: The young protagonist and listener who survives a personal tragedy and is introduced to the terrifying world of witches by his grandmother.
Key Traits:
Young: Seven years old when the stories begin.
Orphaned: His parents were killed in a car accident.
Vulnerable: Prone to sadness and easily frightened by the witch tales (“quaking a little”).
Curious: Eager to hear more stories from his grandmother, especially about the vanished children.
Initially Skeptical: Believes his grandmother is “just trying to frighten” him before being convinced.
Relationships:
Grandmother: His loving guardian, comforter, and the source of all his knowledge about witches.
Parents: Deceased; their loss brings him to live with his grandmother.
The Grandmother
Role in the Story: The narrator’s wise and caring guardian who introduces him to the dark, real world of witches.
Key Traits:
Caring and Protective: Takes her grandson in immediately and loves him, wanting to keep him safe.
“Tremendously Old and Wrinkled”: Suggests a long life and deep well of experience.
Wonderful Storyteller: Captivates the narrator with her narratives.
“Great Expert on these Creatures” (Witches): Possesses extensive, specific, and seemingly firsthand knowledge about witches, insisting their existence is real and dangerous.
Grave and Convincing: Delivers her warnings about witches with solemnity, emphasizing the urgency of believing her.
Resigned to Norwegian Magic: Accepts the widespread presence of witches in Norway as a normal fact of life.
Relationships:
Narrator (Grandson): Her primary concern and confidant; she shares her life experiences and warnings with him.
Ranghild Hansen
Role in the Story: The first child the grandmother recounts as having vanished, taken by a witch.
Key Traits:
Young: About eight years old when she disappeared.
Vulnerable: Easily led away by a disguised witch.
Relationships:
Little Sister: Witnessed her being taken away.
Mother: Discovered her disappearance.
“The Tall Lady in White Gloves”: The witch who abducted her.
Solveg Christiansen
Role in the Story: The second child the grandmother describes as transformed by a witch.
Key Traits:
Trusting: Accepted an apple from a “nice lady.”
Transformed: Mysteriously appeared, and was permanently trapped, within an oil painting.
Relationships:
The Christiansen Family (Parents): Her family who owned the painting she became a part of.
“Nice Lady”: The witch who gave her the apple and caused her transformation.
Birgit Svenson
Role in the Story: The third child the grandmother recounts being transformed by a witch.
Key Traits:
Unusual Transformation: Grew feathers and turned into a large white chicken.
Relationships:
Parents: Kept her as a chicken for years after her transformation.
Harald
Role in the Story: The fourth child the grandmother describes as transformed by a witch.
Key Traits:
Gruesome Transformation: His skin became crackly, and he turned completely into solid granite stone.
Relationships: Not specified beyond his individual fate.
Leif
Role in the Story: The fifth child the grandmother recounts being transformed by a witch.
Key Traits:
Unexpected Transformation: Changed into a porpoise after diving into a fjord.
Relationships:
Father: Witnessed his transformation.
Family: Was on a summer holiday with them at the time.
The Witches (Collective Description from Grandmother’s Accounts)
Role in the Story: The primary antagonists and hidden dangers in the world, responsible for the disappearances and transformations.
Key Traits:
Real and Present: They “were still with us” and are “all around us,” with “witches everywhere” in Norway.
Malicious and Dangerous: Their actions lead to horrifying, permanent fates for children.
Deceptive and Disguised: They appear as “tall ladies in white gloves” or “nice ladies” to lure children.
Possess Peculiar Magic: Their powers result in bizarre transformations (into paintings, animals, stone).
Subtle in Approach: They do not break into houses or climb drainpipes, suggesting their methods are less overt but still highly effective and insidious.
Relationships: Their relationship to children is predatory; they are a constant, lurking threat.
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